When does the concert start?

The event starts on 31.05.2026 at 18:00 and is scheduled until 20:00.

Where does the concert take place?

The location is the Rudolf-Oetker-Halle, Lampingstraße 16, 33615 Bielefeld.

Is there an intermission?

Yes, an intermission is noted in the schedule for the event.

What works are included in the program?

The concert will feature Antonio Vivaldi's Four Seasons as well as Astor Piazzolla's Four Seasons of Buenos Aires, Milonga del Angel, and Oblivion.

Is the Rudolf-Oetker-Halle barrier-free?

Yes, the side entrance on Lampingstraße, barrier-free restrooms, and access to the Great and Small Hall are available. The balcony and gallery are not accessible for wheelchair users.

How can one best get to the hall?

The venue is conveniently accessible by tram line 4 to Rudolf-Oetker-Halle and by bus. There are also parking options nearby.

Vivaldi meets Piazzolla: Arsen Zorayan ignites a fine musical fire in Bielefeld

Name: Vivaldi meets Piazolla – Arsen Zorayan in Bielefeld
Start: 2026-05-31T20:00:00+02:00
End: 2026-05-31T22:00:00+02:00
Location: Rudolf-Oetker-Halle

When two sound worlds meet in the Rudolf-Oetker-Halle

With Vivaldi meets Piazolla, the Hamburg Stage Ensemble brings a program to Bielefeld on May 31, 2026, that combines Baroque elegance and Argentine passion in an intense concert experience. In the Small Hall of the Rudolf-Oetker-Halle, Antonio Vivaldi's Four Seasons, Astor Piazzolla's Four Seasons of Buenos Aires, as well as Milonga del Angel and Oblivion are on the agenda. The solo violin is taken by Arsen Zorayan, who as the artistic head of the ensemble embodies precise orchestration, clear lines, and an immediate live atmosphere.

Baroque meets tango with electric tension

The evening thrives on contrasts: Vivaldi's seasons depict nature in vibrant arcs, while Piazzolla's sound language responds with pulse, melancholy, and urban drama. This dramaturgy makes the concert particularly appealing for an audience that wants to not only hear classical music but also feel it physically. In the interplay of string colors, rhythmic sharpness, and fine dynamics, a stage performance emerges that oscillates between virtuosic lightness and passionate intensity.

The Rudolf-Oetker-Halle as an acoustic resonance space

The Rudolf-Oetker-Halle is considered the musical center of the city and the region, with excellent acoustics, barrier-free access, and a hall that accommodates both chamber music nuances and grand sound gestures. This format is ideally suited for the Small Hall: close to the action, transparent in sound, and with that immediacy that makes every bow stroke, every accent, and every synchronization of the ensemble audible. The venue offers strong public transport connections via tram line 4 and the bus stop Rudolf-Oetker-Halle, as well as parking options in the vicinity.

Arsen Zorayan as a precise narrator of the season

Arsen Zorayan guides this program with the sovereignty of an experienced concertmaster. His profile is closely linked to the Hamburg Stage Ensemble; in concert practice, this stands for chamber music discipline, stylistic flexibility, and direct communication with the audience. Particularly in a work scope from Vivaldi to Piazzolla, it shows how much a solo performance thrives on interpretative clarity, breath, and timing. Those who love classical repertoire with Latin American tension will experience a concert with high recognition value and strong emotional depth.

Conclusion: An evening for listeners with a sense of great contrasts

Vivaldi meets Piazolla promises a sensual, stylistically refined, and simultaneously captivating live experience in Bielefeld. The mix of Baroque form, tango energy, and the special acoustics of the Rudolf-Oetker-Halle creates the best conditions for a concert evening that resonates. Anyone wishing to experience powerful strings, intense dynamics, and an extraordinary program should secure this date and enjoy the music live on site.